Getting your kick just right can be quite the task. I have been using this new VST called BigKick to quickly create the perfect sound for my mix. Here is a video walkthrough of me using the VST, my thoughts, and some techniques.
I’ve helped schools start up their labs, worked in recording studios, and built my own home recording studio. Over the years I have used many microphones and have distilled that information into this list. I particularly looked at mics that were for starting musicians. Ones with a lower price, but you will still find pro’s using them. If you have a mic I should add, pleas add a comment at the end of the article.
Top Pick: SM-58
I find that in my home studio I run into one major problem, and that is noise. There is always some noise in the house when I am doing voice over work. The Sm-58 is amazing at only picking up what is right in front of the mic. This makes it idea for demonstrations, voice overs, vocal sketches, and some instrumental recording. I have also used this mic in final recordings and find it has a pretty flat and clean sound. Much better for male vocals, or lower range voice.
Versatile and Solid Mic: SM-57
Have you ever wanted to edit vocals to give that stuttered and pitched effect you hear in Trap? I put togeather a video of me editing some Silk Drop vocals. I use techniques like cutting up the vocal, re-pitching vocals, complex pro warp mode, and other things.
Wanted to give you an inside look on how I edit vocals this way.
If you are interested in other vocal techniques, check out my video on vocal effects and free audio effect rack.
I also made a video on working with backing vocals and chorusing.
Do you have any techniques you use for Trap Vocals? Plugins? Share in the comments.
To easily make microtonal music in Ableton Live, or other DAW’s, I find it’s best to use third party VST’s that support Scala files. That way you can pick your tuning and write new parts in that temperament/tuning. I compiled a list of my favorite microtonal VST’s, synths, AU’s, and plugins. There are more synths out there, but these are my favorite.
You will also see a few rows that are highlighted green. These synths are my all-time favorite for working with Microtonal music.
If you have suggestions, please comment below. I would love to check them out and maybe add them to the list. If you are interested in learning more about tuning instruments in Ableton Live and microtonal music, then check out my article on Microtonal Music in Ableton Live.
I love adding Tabla, Dholak, and South Asia influenced drums in my music. It adds a really unique flavor and can be used in juxtaposition to other instruments. Just a few months ago I made the Tabla Drum Rack and wanted to follow it up with a lesser-known, but just as amazing, instrument called the Dholak. This double head drum has a really cool sound.
Here is a walkthrough video on the Ableton Live Pack with the free Drum Rack:
You can download the Live Pack as well as the One Shot Samples (for any DAW) below.
Bitwig just announced Version 2 to come out in February 2017. I’ve been reading about this on forums, and they just officially announced it.
I made this video to share my first thoughts on Bitwig 2 and what I hope to see in the update. There are also so interesting moves by them around pricing and subscription models. Enjoy:
To read more on Bitwig 2 go to: https://www.bitwig.com/en/home.html
In the first part of this series, we went over the theory of Tuning and Temperament. Then I went into detail on tuning your synths in Ableton Live from 440 to 432 in part two of the series. In this article, I will walk you through using third party plugins, AU, and VST’s.
Third Party Plug-ins:
If you are like me then you might have a host of Third Party Plugins you like to use in your production. These extra synths give you a whole host of new sounds to play with. Here is a list of Plugins you can use and the where to find the parameter to detune the instrument. This is in no particular order.
To start here is a video I made in response to questions of tuning Massive and Serum.
Massive: Go to the Global tab. Here change the global tuning to -0.32
Tuning into 432 with Live
To play music in 432 you must retune all your synths and presets. This might seem overwhelming idea at first, but it actually takes very little time at the beginning of your tracks. Once you get a library of instruments tuned, then it will also be that much easier.
The simplest way to tune to 432hz is to just detune each of your instruments. By detuning you lower the first note, from 440-432 for example. since A=432 Live will then base every note from that point forward. You can not just lower the pitch at the end because that will not retune it, it will just lower the overall pitch.
This image shows the different tuning you could use for notes found in the Equal Temperament. As you can see when you move from 440 to 432 you are lowering the pitch by -8hz. You can also see that just 2 notes down 440hz Equal Temperament are 494. If you -8hz to that we do not get 484.90. The reason why is equal temperament is a ratio that moved up from the root of A. A ratio of “2 11/12” from 440 is very different than a ratio of “2 11/12” at 432. Because of this, you can not return the finished song. You must tune the instruments correctly to start with. (more…)
In this article I will be going over the basics of 432 tuning and a little history. This will get you rolling as a music producer and give you the tools for making music in 432. If you want to speed things up even more, grab the 432 Essentials Live Pack. It contains a bunch of presets in 432, e-book, and even micro-tonal instruments.
If you already got the theory down and just want to implement it in live, go to part two of the series on tuning to 432 in Ableton Live.
Beautifully Imperfect Tuning
There is a lot of information, and even misinformation around tuning. I don’t believe there is “one answer”, but there are a lot of questions worth asking. it is that endless search that brings us incrementally closer to understand the beautifully imperfect nature of reality. That is why I propose we continue the quests of our forefathers, and seek after unknown territory within music. And in this case, lets look at tuning.
The History of Modern Tuning
To start on this path lets discuss what tuning is. When you are building a scale for music, you must start with the root frequency. The first note is what the rest of the scale builds from. This very first note is called the Concert Pitch.
Concert pitch refers to the pitch reference to which a group of musical instruments are tuned for a performance. The most common modern tuning standard uses 440 Hz for A above middle C as a reference note, with other notes being set relative to it.” Wikipedia
In most western music, instruments are all tuned to 440 Hz at A. For hundreds, and thousands of years though there was no standard tuning. Each instrument, group, or culture had a wide range of tuning. Once orchestras became more popular all the instruments had to be tuned together and many orchestras started to standardize their own tuning. (more…)